The Standing Pixiu
Black obsidian, 12 mm, cast brass pixiu
The same specification at 12 mm, for a wrist a slim bracelet disappears on.
The object
- 12 mm obsidian and a heavier cast pixiu. Sold as a size rather than as a men's version, because wrists do not divide the way catalogues say they do.
- The same solid brass and the same PVD vacuum plating as the 8 mm piece, on a figure with more surface to lose.
- Doubled elastic cord in a heavier gauge, hand-knotted, knot inside a bead.
- The same card, which is where the tradition gets explained rather than in a product title.
Materials and craft
Identical purchasing spec to the 8 mm bracelet, scaled: undyed polished obsidian at 12 mm, a cast solid brass pixiu finished by PVD vacuum plating rather than dipped electroplating, and doubled elastic cord in the heavier gauge that the extra bead weight asks for. Hand-knotted, knot tucked inside a bead.
Specification
- Beads
- 12 mm black obsidian, polished
- Pixiu
- 26 × 17 mm, cast solid brass
- Finish
- PVD vacuum plating
- Cord
- Doubled elastic, heavy gauge, hand-knotted
- Fits
- Wrists 18–22 cm
What it is in the tradition
The figure is the same one: a pixiu (貔貅), traditionally carved facing outward, associated in the folklore with keeping rather than acquiring. Size is a matter of proportion on the wrist and carries no separate meaning in the tradition — anyone selling you a larger one as a stronger one is inventing it.
Anything we make is jewelry: an object to wear, and a reminder of an intention you set yourself. We describe its materials, its craft, and what it has meant in Chinese tradition. We do not describe it as something that changes financial outcomes.
How to wear it
The questions every shop in this category leaves unanswered: which wrist, which way round, when to take it off, and what the customs actually are.
01
Which wrist, and which way it faces
The custom is the left wrist with the beast facing outward, away from the body and up the arm. The reasoning inside the folklore is literal: the pixiu is described as taking things in and not letting them out, so it is set facing the world rather than the wearer. That is how the figure has been worn for a long time. It is a convention of wearing, not a mechanism.
02
Getting it on without killing the cord
Roll it over the knuckles rather than pulling it open, and hold the brass rather than the beads while you do it. The doubled cord is there to survive a few years of this; it survives longer if the strain goes into the roll and not the stretch.
03
When people take it off
Shower, pool, gym, sleep. Plated brass sits on the outside of the wrist where it meets doorframes and desk edges, and chlorine, salt water and hand sanitiser are all harder on a finish than daily wear is.
04
The customs people ask about
Three come up constantly: may other people handle it, may it be worn to a funeral or into a bathroom, and how it should be cleansed. The customary answers are that a pixiu piece is usually kept to one wearer, usually taken off for both, and usually rinsed under running water or set out overnight under a full moon from time to time. Every one of those is an observance people keep, described here as an observance.
Care
Heavier beads mean more momentum against a desk edge, so the case for taking it off at the gym is stronger here than on the 8 mm. Off for water, off for sleep, dry cloth for the brass, no ultrasonic cleaner.
Where this sits
The two shop collections this piece belongs to, and the reading behind them.